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Plaster model for "Christ the Good Shepherd"
Installed on the front of the Central United Methodist Church in Waterford, Michigan, Fredericks cast this gold anodized sculpture in aluminum.
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
Alternate view of plaster model for "Christ the Good Shepherd"
Installed on the front of the Central United Methodist Church in Waterford, Michigan, Fredericks cast this gold anodized sculpture in aluminum.
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
"Christ the Good Shepherd"
Installed on the front of the Central United Methodist Church in Waterford, Michigan, Fredericks cast this gold anodized sculpture in aluminum.
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
View of Central United Methodist Church with "Christ the Good Shepherd"
Installed on the front of the Central United Methodist Church in Waterford, Michigan, Fredericks cast this gold anodized sculpture in aluminum.
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
The idea for this sculpture began during the summer of 1961 during a conversation with the minister…
Plasteline model for "Textile Industry" for the Ford Rotunda
Plasteline model for one of the sixteen fiberglass polyester resin laminate reliefs for the Ford Rotunda, Dearborn, Michigan depicting industries related to the manufacture of automobiles.
The sixteen reliefs won the Gold Medal in Sculpture from…
The sixteen reliefs won the Gold Medal in Sculpture from…
The plaster model for "Thoroughbreds, Sheep and Tobacco Farmers" for "Spirit of Kentucky"
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
View of the plaster model for "Thoroughbreds, Sheep and Tobacco Farmers" for "Spirit of Kentucky"
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
View of the plaster model for "Thoroughbreds, Sheep and Tobacco Farmers" for "Spirit of Kentucky" in the studio
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
Close-up of the plaster model for "Thoroughbreds, Sheep and Tobacco Farmers" for "Spirit of Kentucky"
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
"Gold Miner," "Sheep (The Guests Have Arrived)," "Steers" and "Chimpanzee (Philosopher)" for the Marshall M. Fredericks Sculpture Museum
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…