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View of the plaster model for "Thoroughbreds, Sheep and Tobacco Farmers" for "Spirit of Kentucky" in the studio
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
View of the plaster model for "Thoroughbreds, Sheep and Tobacco Farmers" for "Spirit of Kentucky"
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
View of the plaster model for "Riverboats and Giant Catfish" for "Spirit of Kentucky"
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
View of the plaster model for "Raccoons" for "Spirit of Kentucky"
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through…
After Fredericks received the commission he reportedly traveled through…
View of the plaster model for "Christ on the Cross" from outside of the greenhouse studio
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
View of the plaster model for "Christ and the Children" and crates in the greenhouse studio
Fredericks opened the "Greenhouse" and the "Stable" studio in Bloomfield Hills, Michigan in 1960 as an extension of his Royal Oak studio.
View of the plasteline model of the angel from "God on the Rainbow" (Gud Fader På Himmelsbågan) with shims
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
View of the plasteline model of "The Friendly Dragon" with shims separating it into sections
“I did … a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon…
View of the plasteline model for "The Friendly Dragon" with shims in the greenhouse studio
“I did … a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon…
View of the plasteline model for "The Friendly Dragon" in Fredericks' greenhouse studio
“I did … a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon…