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Marshall Fredericks works on the teeth of the plasteline model for "The Friendly Dragon"
“I did … a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon…
Marshall Fredericks poses with the full scale plasteline model for "The Friendly Dragon"
“I did … a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon…
Marshall Fredericks inspects the plasteline model for "The Friendly Dragon"
“I did … a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon…
"Freedom of the Human Spirit" - Marshall Fredericks and two unidentified men examine the sculpture in Shain Park
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
"Freedom of the Human Spirit" - Marshall Fredericks and others examine the sculpture in Shain Park
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
"Freedom of the Human Spirit" - Marshall Fredericks and two men examine the base of the sculpture in Shain Park
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
Marshall Fredericks and two unidentified men examine the back of "Freedom of the Human of Spirit" in Shain Park
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
Marshall Fredericks and two unidentified men examine the base of "Freedom of the Human Spirit" in Shain Park
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
Marshall Fredericks and others view "Freedom of the Human Spirit" in Shain Park
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
Marshall Fredericks poses next to the base for "Freedom of the Human Spirit" in Shain Park
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…