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"Torso of a Dancer" in an unidentified location
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…
Black Belgian marble "Torso of a Dancer" at an unidentified location
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.
The nude…
The nude…
"Torso of a Dancer Relief"
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…
"Trial Flight (Standing Lamb)"
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c. 1930, bronze, 7 inches.
Armature for "Two Bears"
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Small-scale plasteline model for "Two Bears"
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Marshall Fredericks working on the full-scale plasteline model of "Two Bears"
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Side view of the full-scale plasteline model for "Two Bears"
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Side/rear view of the full-scale plasteline model for "Two Bears"
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Front view of the full-scale plasteline model for "Two Bears"
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…