The medal features an American eagle, with an escutcheon, or shield, on its breast symbolizes self-reliance. The thirteen vertical stripes on the escutcheon derive from the flag of 1777. The eagle grasps an olive branch with 13 leaves and 13 olives…
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance…
One of Fredericks' last public works, "Star Dream Fountain" is located in Barbara Hallman Plaza in Royal Oak, Michigan. The sculpture is based on a 1947 preliminary design for the "Cleveland War Memorial". This allegorical work symbolizes man's…
“I did … a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon…
"Baboon Playing a Mandolin" encased in plaster molds in Marshall Fredericks' Bloomfield Hills (Greenhouse), Michigan studio. A bronze casting of this work is in the children's garden, Community House, Birmingham, Michigan.
"Baboon Playing a Mandolin" encased in plaster molds in Marshall Fredericks' Bloomfield Hills (Greenhouse), Michigan studio. A bronze casting of this work is in the children's garden, Community House, Birmingham, Michigan.