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Front/side view of bronze "Torso of a Dancer"
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…
Front/side view of bronze "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium
-in-kirk-in-the-hills-presbyterian-church-columbarium_3c5e3dff85.jpg "Frontside view of bronze Wings of the Morning (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Front/side view of bronze "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow
-in-kirk-in-the-hills-presbyterian-church-columbarium-surrounded-by-snow_a9e8881d9e.jpg "Frontside view of bronze Wings of the Morning (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Front/side view of bronze full-scale "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium
-in-kirk-in-the-hills-presbyterian-church-columbarium_187301c3c9.jpg "Frontside view of bronze full-scale Wings of the Morning (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Front/side view of completed "Meditation" armature
"Meditation" was first sculpted by Fredericks in 1937 while teaching at Cranbrook and enlarged in 1995.
Front/side view of damaged plaster model for "Christ on the Cross"
Plaster model for “Christ on the Cross†which was later installed at the Marshall M. Fredericks Sculpture Museum at Saginaw Valley State University.
Front/side view of full-scale bronze "Don Quixote" in the Sculpture Garden on the grounds of the Marshall M. Fredericks Sculpture Museum
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
Front/side view of marble "Torso of a Dancer"
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.
The nude…
The nude…
Front/side view of plasteline model for "Sir Winston Churchill Memorial" in front of a screen
This portrait head of Sir Winston Churchill (1874-1965) is four times the size of life in heroic-scale. Compared with the idealized style of most of Fredericks' works, his portrait style is more realistic though simplified.
Located at the…
Located at the…
Front/side view of polished bronze "Torso of a Dancer"
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…