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The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…

Armature for one of the “Clowns” - includes: "Acrobat", "Circus Clown", "Juggler" and "Lovesick Clown (Pagliacci)".

The armature for "Juggler” – one of the “Clowns” in Marshall Fredericks’ greenhouse studio.

"Meditation" was first sculpted by Fredericks in 1937 while teaching at Cranbrook and enlarged in 1995.

Enlarged from 1937 small-scale model. The full-scale bronze casting is in a private collection.

Enlarged from 1937 small-scale model. The full-scale bronze casting is in a private collection.

Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
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