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Side view of "Wings of the Morning" (Edgar B. Flint Memorial) prior to patinization
-prior-to-patinization_03fe79b2b4.jpg "Side view of Wings of the Morning (Edgar B. Flint Memorial) prior to patinization.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow
-in-kirk-in-the-hills-presbyterian-church-columbarium-surrounded-by-snow_d0df0a9ba6.jpg "Side view of Wings of the Morning (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium
-in-kirk-in-the-hills-presbyterian-church-columbarium_c03439b573.jpg "Side view of Wings of the Morning (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of "Wings of the Morning" (Edgar B. Flint Memorial) at the foundry prior to patinization
-at-the-foundry-prior-to-patinization_80e1c1b7b8.jpg "Side view of Wings of the Morning (Edgar B. Flint Memorial) at the foundry prior to patinization.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of "Wings of the Morning" (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church surrounded by snow
-at-kirk-in-the-hills-presbyterian-church-surrounded-by-snow_44e78dd28c.jpg "Side view of Wings of the Morning (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church surrounded by snow.jpg")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of "Wings of the Morning" (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church
-at-kirk-in-the-hills-presbyterian-church_0c9c164806.jpg "Side view of Wings of the Morning (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church.jpg")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of "Two Bears" at Lincoln Square
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Side view of "Two Bears" at Brookgreen Gardens
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Side view of "Torso of a Dancer" in bronze
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…
Side view of "Torso of a Dancer" - bronze
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…