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Side view of full-scale plaster model of "Christ on the Cross" lying on its back
Fredericks opened the "Greenhouse" and the "Stable" studio in Bloomfield Hills, Michigan in 1960 as an extension of his Royal Oak studio.
Side view of full-scale plasteline model of "Juggler" clown
The plasteline model for "Juggler†– one of the “Clowns†in Marshall Fredericks’ greenhouse studio.
Side view of full-scale bronze "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow
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The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of full-scale bronze "Wings of the Morning" (Edgar B. Flint Memorial) at the foundry prior to patinization
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The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of full-scale bronze "Flying Wild Geese" in the Marshall M. Fredericks Sculpture Museum
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
Side view of full-scale bronze "Don Quixote" in the Sculpture Garden on the grounds of the Marshall M. Fredericks Sculpture Museum
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
Side view of completed armature for "Meditation"
"Meditation" was first sculpted by Fredericks in 1937 while teaching at Cranbrook and enlarged in 1995.
Side view of completed "Meditation" armature in the studio with the small-scale plaster model in the background
"Meditation" was first sculpted by Fredericks in 1937 while teaching at Cranbrook and enlarged in 1995.
Side view of completed "Meditation" armature
"Meditation" was first sculpted by Fredericks in 1937 while teaching at Cranbrook and enlarged in 1995.