Lord Byron, Full Scale, Window Base, [Plaster]
Dublin Core
Title
Lord Byron, Full Scale, Window Base, [Plaster]
Subject
Figure sculpture, American--20th century
Description
Objects 2000.023.001, 2000.023.002, 2000.023.003, 2000.023.004, 2000.023.005, 2000.023.006, 2000.023.007 are the sections of the Lord Byron plaster Full-Scale model.
"His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure, clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career."Marshall Fredericks, Suzanne P. "Marshall M. Fredericks, Sculptor", Saginaw Valley State University, 2003. p. 15
"His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure, clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career."Marshall Fredericks, Suzanne P. "Marshall M. Fredericks, Sculptor", Saginaw Valley State University, 2003. p. 15
Creator
Fredericks, Marshall M., 1908-1998
Date
1998
Rights
Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
Type
Sculpture
Coverage
University Center (Mich.)
Sculpture Item Type Metadata
Physical Dimensions
138" h
Materials
Plaster
Catalog Number
2000.023
Object Location
Sculptor's Studio
Provenance
02/29/2000 gifted to MFSM
March/April 2003 relocated to Sculptor's Studio
March/April 2003 relocated to Sculptor's Studio
Files
Citation
Fredericks, Marshall M., 1908-1998, “Lord Byron, Full Scale, Window Base, [Plaster],” Marshall M. Fredericks Sculpture Museum, accessed November 21, 2024, https://omeka.svsu.edu/items/show/5547.