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Close-up of Marshall Fredericks working on the plasteline model for "Lord Byron" (The Poet)
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…
Marshall Fredericks working on the full-scale plasteline model for "Lord Byron" (The Poet) in the studio
-in-the-studio_7eb73720dc.jpg "Marshall Fredericks working on the full-scale plasteline model for Lord Byron (The Poet) in the studio.tif")
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…
Marshall Fredericks works on the plasteline model for "Lord Byron" (The Poet) while being filmed by a camera crew
-while-being-filmed-by-a-camera-crew_1112a3ccbd.jpg "Marshall Fredericks works on the plasteline model for Lord Byron (The Poet) while being filmed by a camera crew.tif")
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…
Marshall Fredericks working on the legs of the plasteline model for God from "God on the Rainbow" (Gud Fader På Himmelsbågan) with the angel plasteline model in the background
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks sculpts the head of God from "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks working on the plasteline model of God for "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks working on the arm of God from "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks working on the plasteline model of God from "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
The plasteline models of God and the angel for "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks working on the foot of the plasteline model of the angel for "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…