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Front view of polished bronze "Torso of a Dancer"
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…
Front view of polished bronze "Torso of a Dancer" in shadow
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.…
Front view of rough plaster model for "Nordic Civilization" for the "Cleveland War Memorial: Fountain of Eternal Life"
The smoothness of the surface and the graceful, curving lines expressed in this full-scale model of Nordic Civilization are highly suggestive of the sea itself.
The large, powerful sea-god Poseidon’s right hand rests upon the body of a shark. …
The large, powerful sea-god Poseidon’s right hand rests upon the body of a shark. …
Front view of small scale bronze "Freedom of the Human Spirit"
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
Front view of small scale bronze "Freedom of the Human Spirit" with an unidentified drawing in the background
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of…
Front view of small-scale "Leaping Gazelle"
In 1936, Marshall Fredericks entered a national competition to design a memorial honoring Levi L. Barbour for Belle Isle, an island park in Detroit, Michigan. Barbour, a prominent lawyer who had been instrumental in the purchase of the island as a…
Front view of small-scale "Lord Byron (The Poet)
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According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…