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View of the plasteline model for "Indian and Wild Swans"
This sculptural group of an Indian and four swans is located on the façade of the Milwaukee Public Museum.
Fredericks said of the design that the swans, “complement the simple surface (of the wall) with just the right dignified accent…(they…
Fredericks said of the design that the swans, “complement the simple surface (of the wall) with just the right dignified accent…(they…
Plasteline model for "Indian and Wild Swans"
This sculptural group of an Indian and four swans is located on the façade of the Milwaukee Public Museum.
Fredericks said of the design that the swans, “complement the simple surface (of the wall) with just the right dignified accent…(they…
Fredericks said of the design that the swans, “complement the simple surface (of the wall) with just the right dignified accent…(they…
Marshall Fredericks inpecting the plaster legs for the angel from "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks examining the plaster legs for the angel from "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
The plasteline model for the angel from "God on the Rainbow" (Gud Fader På Himmelsbågan) partially covered in plaster
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks working on the legs of the plasteline model for God from "God on the Rainbow" (Gud Fader På Himmelsbågan) with the angel plasteline model in the background
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
View of the plasteline angel model from "God on the Rainbow" (Gud Fader På Himmelsbågan) in the greenhouse studio
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
View of the plasteline model of the angel from "God on the Rainbow" (Gud Fader På Himmelsbågan) with shims
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks sculpts the head of God from "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Marshall Fredericks working on the plasteline model of God for "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…