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View of "Wings of the Morning" through an arch at Brookgreen Gardens
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
View of "Wings of the Morning" in shadow at Brookgreen Gardens
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
View of "Wings of the Morning" at the foundry
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
View of "Wings of the Morning" at Brookgreen Gardens
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
View of "Wings of the Morning" and "Night and Day Fountain" outside of the Marshall M. Fredericks Sculpture Museum
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
View of "Wings of the Morning" (Edgar B. Flint Memorial) in the distance in the Kirk of the Hills Presbyterian Church Columbarium
-in-the-distance-in-the-kirk-of-the-hills-presbyterian-church-columbarium_1811e862b5.jpg "View of Wings of the Morning (Edgar B. Flint Memorial) in the distance in the Kirk of the Hills Presbyterian Church Columbarium.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
View of "Wings of the Morning" (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church
-at-kirk-in-the-hills-presbyterian-church_8c515f7dad.jpg "View of Wings of the Morning (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church.jpg")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
View of "Persephone" (Bacchante), "Wings of the Morning," "Night and Day Fountain" and "The Boy and Bear" in the Sculpture Garden at the Marshall M. Fredericks Sculpture Museum
-in-the-sculpture-garden-of-the-marshall-m-fredericks-sculpture-museum_766cfdad1d.jpg "View of bronze Persephone (Bacchante) in the Sculpture Garden of the Marshall M. Fredericks Sculpture Museum.tif")
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
View from below of bronze "Wings of the Morning" at an unidentified location
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
View from above of the Marshall M. Fredericks Sculpture Museum during installation
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…