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Marshall Fredericks with "Wings of the Morning" in his Royal Oak studio
Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.
Plasteline model for "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Plaster model for "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Plaster model of "Wings of the Morning" for the Marshall M. Fredericks Sculpture Museum
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
Plaster models in Marshall Fredericks' Royal Oak studio
Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.
Rear view of "Wings of the Morning" at Brookgreen Gardens
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Rear view of "Wings of the Morning" (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church
-at-kirk-in-the-hills-presbyterian-church_aa5914cbd7.jpg "Rear view of Wings of the Morning (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church.jpg")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Rear view of "Wings of the Morning" (Edgar B. Flint Memorial) at the foundry prior to patinization
-at-the-foundry-prior-to-patinization_8cac85a2ff.jpg "Rear view of Wings of the Morning (Edgar B. Flint Memorial) at the foundry prior to patinization.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Rear view of "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Rear view of "Wings of the Morning" (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow
-in-kirk-in-the-hills-presbyterian-church-columbarium-surrounded-by-snow_27ec6c905a.jpg "Rear view of Wings of the Morning (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow.tif")
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…