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Plasteline model of "Mercury" for Ford Motor Company - side view
The Roman god Mercury was a messenger for the gods and patron of racing and athletes. His special duty was to conduct the souls of the dead to the underworld. In time he also became the Roman god of commerce and merchants. His attributes were…
Plasteline model of "Mercury" for Ford Motor Company
The Roman god Mercury was a messenger for the gods and patron of racing and athletes. His special duty was to conduct the souls of the dead to the underworld. In time he also became the Roman god of commerce and merchants. His attributes were…
Plasteline model for "Mercury"
The Roman god Mercury was a messenger for the gods and patron of racing and athletes. His special duty was to conduct the souls of the dead to the underworld. In time he also became the Roman god of commerce and merchants. His attributes were…
Front view of the plasteline model of "Mercury"
The Roman god Mercury was a messenger for the gods and patron of racing and athletes. His special duty was to conduct the souls of the dead to the underworld. In time he also became the Roman god of commerce and merchants. His attributes were…
Side view of the plasteline model for "Mercury"
The Roman god Mercury was a messenger for the gods and patron of racing and athletes. His special duty was to conduct the souls of the dead to the underworld. In time he also became the Roman god of commerce and merchants. His attributes were…
Marshall Fredericks with the full-scale plasteline model for "Lord Byron" (The Poet) - 1998
---1998-2_12efe88d89.jpg "Marshall Fredericks with the full-scale plasteline model for Lord Byron (The Poet) - 1998-2.jpg")
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…
Close-up of Marshall Fredericks working on the plasteline model for "Lord Byron" (The Poet)
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…
Marshall Fredericks working on the full-scale plasteline model for "Lord Byron" (The Poet) in the studio
-in-the-studio_7eb73720dc.jpg "Marshall Fredericks working on the full-scale plasteline model for Lord Byron (The Poet) in the studio.tif")
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…
Marshall Fredericks with the full-scale plasteline model for "Lord Byron" (The Poet) in his studio
-in-his-studio_f212b3cac3.jpg "Marshall Fredericks with the full-scale plasteline model for Lord Byron (The Poet) in his studio.tif")
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…
Marshall Fredericks with the full-scale plasteline model of "Lord Byron" (The Poet) in his Royal Oak studio
-in-his-royal-oak-studio_d179dcb070.jpg "Marshall Fredericks with the full-scale plasteline model of Lord Byron (The Poet) in his Royal Oak studio.tif")
According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall…