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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>King Olav V of Norway, Princess Astrid or Princess Ragnhild of Norway and Prince Harald of Norway at the dedication of "Memorial to Norwegian Emigrants" (Leaping Gazelle)</text>
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                <text>Animal sculpture--20th century. &#13;
Astrid, Princess, daughter of Olav V, King of Norway, 1932- &#13;
Bronze sculpture, American--20th century.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Harald V, King of Norway, 1937- &#13;
Olav V, King of Norway, 1903-1991&#13;
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Public sculptureâ€”Norway.&#13;
Ragnhild, Princess, daughter of Olav V, King of Norway, 1930-&#13;
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                <text>In 1936, Marshall Fredericks entered a national competition to design a memorial honoring Levi L. Barbour for Belle Isle, an island park in Detroit, Michigan. Barbour, a prominent lawyer who had been instrumental in the purchase of the island as a public park, bequeathed $20,000 to the city for the purpose of erecting some permanent structure on Belle Isle as a â€œcontinual hint to [his] fellow citizens to devote themselves to the benefit and pleasure of the public.â€&#13;
&#13;
Open to all Detroit-area sculptors with approved credentials and others with a national reputation, the competition received entries from twenty-six sculptors. Chosen by a unanimous vote, Fredericksâ€™ winning model featured a wounded or leaping antelope which â€œattempt[ed] to show the beauty in the excitement, or even death, of nature,â€ according to the artist. Fredericks surrounded the central figure with four smaller figures: a weasel, hawk, squirrel and pheasant, all native to Belle Isle and representing both the predatory and non-predatory aspects of nature. &#13;
&#13;
Located in Belle Isleâ€™s Rose Garden, the sculpture stands sixteen feet tall atop a granite pedestal. In its final form, Fredericks altered his original concept but the overall intent remained the same. Instead of an antelope, a wheeling bronze gazelle is the focal point of the fountain and the four smaller figures on the granite basin depict a hawk, grouse, rabbit and otter, representations of the islandâ€™s indigenous animals.  At the memorialâ€™s dedication in 1937, Fredericks said the fountain â€œis meant to express beauty in nature and its creation.â€ &#13;
&#13;
Considered by Fredericks to be his â€œfirst break,â€ the Belle Isle Competition garnered Fredericks a great deal of national attention and increased his public notoriety. With castings found throughout the United States and Europe, the Leaping Gazelle remains one of Fredericksâ€™ most popular sculptures.&#13;
&#13;
â€œMemorial to Norwegian Emigrantsâ€ (a full-scale casting of â€œLeaping Gazelleâ€) was dedicated in 1958 in Stavanger, Norway. Fredericks donated the sculpture as a symbol of friendship between the United States and Norway and presented it to King Olav V. The work commemorates the men and women of Norwegian blood who have contributed to the building of America.&#13;
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Series V, Box 16 Folder 20&#13;
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>Cranbrook Educational Community&#13;
Fredericks, Marshall M., 1908-1998&#13;
Photography--Exhibitions.&#13;
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Series V, Box 27 Folder 6&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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                <text>V-24-15&#13;
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                <text>Bloomfield Hills (Mich.)</text>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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              <text>Color print</text>
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                <text>Kirk in the Hills Presbyterian Church - side view of bronze "Wings of the Morning" (Edgar B. Flint Memorial)</text>
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                <text>Animal sculpture--20th century. &#13;
Bronze sculpture, American--20th century.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculpture--United States. &#13;
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                <text>The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours communicate the optimistic spiritual content of the sculpture.  &#13;
 &#13;
Fredericks was inspired by Psalm 139:9-10: &#13;
&#13;
"If I take the wings of the morning, and dwell in the uttermost parts of the sea; even there shall Thy hand lead me, and Thy right hand shall hold me."  &#13;
&#13;
These verses are inscribed on the pedestal of the bronze cast at Kirk in the Hills Presbyterian Church, Bloomfield Hills, Michigan.</text>
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 24 Folder 15&#13;
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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