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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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Bronze sculpture, American--20th century.&#13;
Figure sculpture, American--20th century. &#13;
Fountains.	&#13;
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Harry S. Truman Federal Building (Washington, D.C.)&#13;
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                <text>â€œThe Expanding Universe Fountainâ€ celebrates the nation's first exploration of outer space. According to Fredericks, the sculpture "represents this age of great interest, exploration and discovery in outer space...[and] the immensity, order and mystery of the universe.â€&#13;
&#13;
The monumental central figure suggests a superhuman mythological being. Seated upon a ten-foot sphere, covered in a pattern of bright-star constellations, the figure holds two planets that he is sending off into space.  The dynamic spiral orbit-form swirling around the sphere represents the speed and perpetual motion of space.  Play of the water from numerous star-shaped sprays increases the feeling of movement. &#13;
&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
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&#13;
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Bronze sculpture, American--20th century.&#13;
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Fountains.	&#13;
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Harry S. Truman Federal Building (Washington, D.C.)&#13;
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&#13;
The monumental central figure suggests a superhuman mythological being. Seated upon a ten-foot sphere, covered in a pattern of bright-star constellations, the figure holds two planets that he is sending off into space.  The dynamic spiral orbit-form swirling around the sphere represents the speed and perpetual motion of space.  Play of the water from numerous star-shaped sprays increases the feeling of movement. &#13;
&#13;
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&#13;
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
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&#13;
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&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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&#13;
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Bronze sculpture, American--20th century.&#13;
Figure sculpture, American--20th century. &#13;
Fountains.	&#13;
Fredericks, Marshall M., 1908-1998&#13;
Harry S. Truman Federal Building (Washington, D.C.)&#13;
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                <text>â€œThe Expanding Universe Fountainâ€ celebrates the nation's first exploration of outer space. According to Fredericks, the sculpture "represents this age of great interest, exploration and discovery in outer space...[and] the immensity, order and mystery of the universe.â€&#13;
&#13;
The monumental central figure suggests a superhuman mythological being. Seated upon a ten-foot sphere, covered in a pattern of bright-star constellations, the figure holds two planets that he is sending off into space.  The dynamic spiral orbit-form swirling around the sphere represents the speed and perpetual motion of space.  Play of the water from numerous star-shaped sprays increases the feeling of movement. &#13;
&#13;
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&#13;
The fountain is also known as: "Man and the Expanding Universe"&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>The faÃ§ade of the New Dallas Public Library contained an 880-pound, 20 foot high aluminum sculpture by Marshall Fredericks entitled "Youth in the Hands of God." Symbolizing "the hands of God supporting youth reaching for learning through the medium of literature," the $12,000 relief sculpture depicted two hands lifting a boy wearing blue jeans. The library planned to take the sculpture with them to the new building, but it remained on the empty building for several years. In 1993 the sculpture was sold and now resides at the Marshall M. Fredericks Sculpture Museum at Saginaw Valley State University.</text>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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&#13;
&#13;
	Molly Barth copy:&#13;
On this pedestal, there is a head of a portrait of a young boy.  This is all that Fredericks has left of a piece that is titled Youth in the Hands of God.  It was made for the Dallas, Texas library.  The sculpture was cast in aluminum and is 20 feet high.  It is a relief that was designed to hang right on the granite facade of the library.  It was dedicated in 1960.  Recently, the library had grown so much they sold the building and built a new library.  I don't think they realized that the relief could be removed, but they ended up selling the building and the relief.  Fredericks is hoping that someday it will be donated to the gallery, but, as far as I know, it's vacant.  As you know, Texas went through a recession when so many people went bankrupt.  Hopefully, that Youth in the Hands of God relief will end up being here at the gallery.  I should mention that Youth in the Hands of God was also cast in Norway and brought over by boat, but the rest of the plaster model was destroyed.   All that is left is the head of the youth.  </text>
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                <text>Head of the Youth, from Youth in the Hands of God, 1956&#13;
Plaster original&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1991.047&#13;
&#13;
This is the only surviving portion of the full-scale plaster  original model for Youth in the Hands of God, a sixteen-foot tall aluminum cast, made in Norway, commissioned for the facade of  the Dallas Public Library, Dallas, Texas.&#13;
&#13;
This fragment is less well preserved than many of the original  plasters in the Museum.  Note the stained discoloration across  the head in general.  The restorations around the eyes, ears, and lips were reworked about 1987 to regain the original appearance.  The complete aluminum cast of the Youth in the Hands of God was relocated from Dallas Public Library to this Museum in 1993 and  is installed on the facade of the Arbury Fine Arts Center.</text>
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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ICD-International Center for the Disabled&#13;
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&#13;
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&#13;
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                <text>n.d.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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Relief Sculpture</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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        <name>Henry Ford</name>
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        <name>Plaster Relief</name>
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          <name>Physical Dimensions</name>
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              <text>2000.910</text>
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                <text>Large armature for Henry and Edsel Ford sculpture.  Armature is on a wood base and made from wire and plaster.  There is some clay residue on the armature.  </text>
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            <name>Creator</name>
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                <text>Fredericks, Marshall M., 1908-1998</text>
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            <name>Date</name>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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            <name>Coverage</name>
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