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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Series II, Box 12, Folder 19</text>
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Bronze sculpture, American--20th century.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculpture--United States.&#13;
W.K. Kellogg Foundation</text>
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                <text>On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birdsâ€™ wings.&#13;
&#13;
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes â€œthe ascendancy of the soul no longer imprisoned by the body.â€&#13;
&#13;
This sculpture was selected for the new W.K. Kellogg Foundation headquarters because it was one of Fredericks's well-known creations, and also because it is a symbolic tie to W.K. Kellogg who had a great love of nature and created the Kellogg Waterfowl Bird Sanctuary in 1928 near his estate on Gull Lake, Michigan.&#13;
&#13;
Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericksâ€™ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. </text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
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Bronze sculpture, American--20th century.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculpture--United States.&#13;
W.K. Kellogg Foundation</text>
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                <text>On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birdsâ€™ wings.&#13;
&#13;
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes â€œthe ascendancy of the soul no longer imprisoned by the body.â€&#13;
&#13;
This sculpture was selected for the new W.K. Kellogg Foundation headquarters because it was one of Fredericks's well-known creations, and also because it is a symbolic tie to W.K. Kellogg who had a great love of nature and created the Kellogg Waterfowl Bird Sanctuary in 1928 near his estate on Gull Lake, Michigan.&#13;
&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
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Series II, Box 12, Folder 19</text>
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Bronze sculpture, American--20th century.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Fredericks, Rosalind Bell Cooke&#13;
Outdoor sculpture--United States.&#13;
W.K. Kellogg Foundation</text>
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                <text>On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birdsâ€™ wings.&#13;
&#13;
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes â€œthe ascendancy of the soul no longer imprisoned by the body.â€&#13;
&#13;
This sculpture was selected for the new W.K. Kellogg Foundation headquarters because it was one of Fredericks's well-known creations, and also because it is a symbolic tie to W.K. Kellogg who had a great love of nature and created the Kellogg Waterfowl Bird Sanctuary in 1928 near his estate on Gull Lake, Michigan.&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
This sculpture was selected for the new W.K. Kellogg Foundation headquarters because it was one of Fredericks's well-known creations, and also because it is a symbolic tie to W.K. Kellogg who had a great love of nature and created the Kellogg Waterfowl Bird Sanctuary in 1928 near his estate on Gull Lake, Michigan.&#13;
&#13;
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This sculpture was selected for the new W.K. Kellogg Foundation headquarters because it was one of Fredericks's well-known creations, and also because it is a symbolic tie to W.K. Kellogg who had a great love of nature and created the Kellogg Waterfowl Bird Sanctuary in 1928 near his estate on Gull Lake, Michigan.&#13;
&#13;
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&#13;
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&#13;
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&#13;
The sculpture is the focal point of the interior courtyard at Huron Valley-Sinai Hospital. It is located in the upper left area of the schematic near the northeast entrance adjacent to the fountain and dining patio.&#13;
&#13;
Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericksâ€™ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. </text>
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&#13;
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&#13;
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                <text>The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the most notable feature of the building's interior was the expansive, curvilinear lobby adorned with some of Marshall Fredericks' most delicate and refined sculptures.&#13;
&#13;
A 145-feet long filigreed metal mural, The Ford Empire, swept almost the entire length of the curved outer wall. On the balcony walls at either end of the foyer stood polished metal theatrical groupings of circus performers, musicians, harlequins, and dancers. Formed from literally thousands of pieces of copper, nickel, brass, stainless steel, and aluminum and plated with gold, zinc, and cadmium these pieces were hand-shaped, joined, plated, and polished. </text>
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                <text>Unidentified photographer</text>
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        <name>Circus Parade</name>
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        <name>Henry and Edsel Ford Auditorium</name>
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        <name>II1309</name>
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        <src>https://omeka.svsu.edu/files/original/ed6e31193a8b152b715ca1da78d340ea.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Marshall M. Fredericks Archives Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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              <text>Black and white print</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Landscape treatment at the escalator enclosure, Henry and Edsel Ford Auditorium, Detroit Civic Center</text>
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                <text>Marshall M. Fredericks Papers.&#13;
Series II, Box 13, Folder 9</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>undated</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="451455">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives. </text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>II-13-09</text>
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            <name>Language</name>
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                <text>eng</text>
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                <text>Fredericks, Marshall M., 1908-1998&#13;
Public sculpture, American&#13;
Relief (Art)</text>
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                <text>The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the most notable feature of the building's interior was the expansive, curvilinear lobby adorned with some of Marshall Fredericks' most delicate and refined sculptures.&#13;
&#13;
A 145-feet long filigreed metal mural, The Ford Empire, swept almost the entire length of the curved outer wall. On the balcony walls at either end of the foyer stood polished metal theatrical groupings of circus performers, musicians, harlequins, and dancers. Formed from literally thousands of pieces of copper, nickel, brass, stainless steel, and aluminum and plated with gold, zinc, and cadmium these pieces were hand-shaped, joined, plated, and polished. </text>
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                <text>Crane Kiehler and Kellogg, O'Dell Hewlett and Luckenbach, Architects&#13;
Edward A. Eichstedt, Landscape architect</text>
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