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              <text>Cast in 1988&#13;
&#13;
The lion and the monkey was Marshall's first attempt and he did cast a maquette. But a dear scandinavian lady he knew due to his scandinavian work and who lived locally reminded him that there was a fable that the kids learned in school about the lion and the mouse. So he changed it and won the commission for the Eastland Mall project. She often visited the studio and would tell me this story. &#13;
Carl Fredericks from an email dated February 17 2010</text>
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                <text>Fredericks has said that this sculpture illustrates the story of "The Lion and the Mouse."  In that story a lion caught a mouse, but as he was about to eat him the mouse pleaded for mercy, promising to help the lion one day.  The lion was so amused by the prospect of a tiny mouse helping the king of the jungle that he let the mouse go.  Some time later the mouse came across the lion tied up in a hunter's net.  The mouse gnawed through the ropes to free him.  In a different version of the story, the mouse extracted from the lion's paw a troublesome thorn too tiny for the massive lion's claws to catch.  A fitting moral to the story is that kindness is seldom thrown away, be it given to the mightiest or lowliest of creatures.  Notice how Fredericks captured the whole story in a single image that contrasts the tiny mouse with the larger lion.  &#13;
&#13;
The J. L. Hudson Company commissioned this sculpture for Eastland Shopping Center in Harper Woods.  Like many of Fredericks' sculptures, he designed it specifically for children.  Both animals are humanized with friendly facial expressions.  The lion's reclining position and his crossed legs are very human-like, yet his huge round head is stylized with uniformly coiled ringlets and his knees are abstracted.  These alterations of nature make the king of the jungle unthreatening to children and adults alike.  &#13;
&#13;
Cast in 1988</text>
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                <text>&lt;a href="https://www.flickr.com/photos/marshallfredericks/6351228096/in/set-72157628015891879" target="_blank"&gt;Lion and Mouse, Eastland Center, Harper Woods, MI&lt;/a&gt;</text>
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Memo dated July 30, 1991:&#13;
&#13;
"RE: Bacchante and Persephone&#13;
&#13;
On July 26, 1991 Molly told me that she had changed the original date of Bacchante from 1938 to 1935 in her records. She also said that Henry Booth (George's son) wanted it enlarged and placed at Cranbrook. Since a Bacchante is a female follower of the Roman wine god Bacchus, this name was not considers appropriate. Thus, when Fredericks enlarged Bacchante and placed it at the Cranbrook Greek Theater in 1972 he changed the name to Persephone."</text>
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                <text>Full-scale bronze of Persephone with green patina.  Sculpture sits in the sculpture garden.  Depicts a nude woman on her proper left knee with her hands raised at head level.  She has long braids.&#13;
&#13;
In Greek mythology, Persephone was the goddess of spring.  She was abducted by Hades (known to the Romans as Pluto) and taken to the Underworld to be his wife.  Her mother, Demeter (Ceres), the goddess of agriculture, searched the earth for her.  Demeter finally found her, but since Persephone had eaten the seed of a pomegranate Hades offered her while in the Underworld, she could not return to the land of the living.  &#13;
Demeter was so upset she refused to bless the harvest.  This left the earth sterile.  However, she made a compromise with Hades.  Persephone was allowed to spend half of the year with her mother in the upper world and the other half of the year with Hades in the Underworld.  The purpose of this myth is to explain the death and regeneration of the earth each year.  In one display case you will find the small scale BACCHANTE of 1935.  Fredericks enlarged this sculpture in 1972 when Henry Booth, the son of George Gough Booth who was the founder of the Cranbrook Educational Community, expressed interest in placing the sculpture at Cranbrook.  Since a Bacchante was a female follower of the Roman wine god Bacchus, this name was not considered appropriate for a public sculpture.  &#13;
&#13;
Cast in 1988</text>
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Despite similarities between this sculpture and the characters in Walt Disney's movie The Jungle Book, Fredericks disavows any influence from Walt Disney or Rudyard Kipling, the author of The Jungle Book which was originally published in 1894.  Fredericks has said that he simply wanted to make a sculpture of a boy and bear because it would be fun      &#13;
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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