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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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                <text>Front/side view of "The Thinker" at the Birger SandzeÌn Memorial Gallery</text>
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                <text>Animal sculpture--20th century. &#13;
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                <text>Fredericks created this sculpture at the request of George Gough Booth, the founder of Cranbrook Educational Community, who wanted a â€œThinkerâ€ for the steps of the Cranbrook Art Museum similar to Auguste Rodinâ€™s renowned Thinker, a cast of which is on the steps of the Detroit Institute of Arts. &#13;
&#13;
Fredericksâ€™ replacement of Rodinâ€™s heroic male nude with a bemused chimpanzee stroking his chin is a thought provoking variation on the earlier statue. Fredericks' choice of a chimpanzee reveals his fondness for primates. &#13;
&#13;
Fredericks indicated that he â€œtried different human figures for about a month, but couldnâ€™t come up with the right Thinker. Mr. Booth came to my studio and saw this chimpanzee I was carving in my spare time and he said, â€˜This is my Thinker. Heâ€™s probably thinking far more interesting thoughts than we are.â€™â€&#13;
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Series V, Box 22 Folder 7&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
Fredericks chose to leave the Torso with its raw bronze color. He finished the sculpture with a high degree of polish to emphasize the smooth forms, graceful lines, and strong muscles of the figure. &#13;
 &#13;
The nude female form is a subject that has entranced artists since the dawn of time.  Fredericks' treatment is typical of sculptors working during the Art Deco period when streamlined, elegant forms predominated, yet Fredericks' realistic but slightly idealized treatment of this traditional subject also illustrates his personal, mature style.&#13;
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Series V, Box 22 Folder 20&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
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                <text>After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts. &#13;
&#13;
Fredericks chose to leave the Torso with its raw bronze color. He finished the sculpture with a high degree of polish to emphasize the smooth forms, graceful lines, and strong muscles of the figure. &#13;
 &#13;
The nude female form is a subject that has entranced artists since the dawn of time.  Fredericks' treatment is typical of sculptors working during the Art Deco period when streamlined, elegant forms predominated, yet Fredericks' realistic but slightly idealized treatment of this traditional subject also illustrates his personal, mature style.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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 &#13;
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&#13;
"If I take the wings of the morning, and dwell in the uttermost parts of the sea; even there shall Thy hand lead me, and Thy right hand shall hold me."  &#13;
&#13;
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