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Marshall Fredericks adds plaster to the mold for an unidentified medal in his Royal Oak studio
Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.
Marshall Fredericks and an assistant working on the plaster model for an unidentified medal in the Royal Oak studio
Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.
Marshall Fredericks removes the mold from the plaster model of an unidentified medal in his Royal Oak studio
Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.
Marshall Fredericks and an assistant add plaster to the mold for an unidentified medal in his Royal Oak studio
Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.
Marshall Fredericks and an assistant create the plaster model for an unidentified medal in the Royal Oak studio
Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.
Marshall Fredericks works on the plasteline model for the "Spirit of Kentucky" in his Royal Oak studio
Collectively titled the Spirit of Kentucky, Barry Bingham, editor of the Louisville Courier-Journal commissioned Fredericks to design reliefs for their new building.
After Fredericks received the commission he reportedly traveled through Kentucky…
After Fredericks received the commission he reportedly traveled through Kentucky…
Marshall Fredericks working on the small-scale plaster model of "Victory Eagle" (American Eagle) for the Veterans Memorial Building in Detroit
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The Victory Eagle on the facade of the Veterans Memorial Building in Detroit is 30 feet high and projects 4½ feet from the wall in high relief.
Marshall Fredericks working on the plaster model for "Two Bears"
In this sculpture, a large brown and small black bear sit back to back in quiet thought. Although in nature these two animals are enemies, Fredericks portrays the two in a gentle humanistic way, stressing tolerance.
Notice the differences in the…
Notice the differences in the…
Scott Slocum covers the plasteline model for "Sun Worshipper" with plaster
Enlarged from 1937 small-scale model. The full-scale bronze casting is in a private collection.
Marshall Fredericks drawing plans for "Sun Dial Airport Beacon"
Marshall Fredericks draws up engineered plans for monumental re-enforced concrete and stained glass airplane beacon from the small-scale model in foreground.