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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Figure sculpture, American--20th century. &#13;
Ford, Henry, 1863-1947. &#13;
Relief (Art)&#13;
Fredericks, Marshall M., 1908-1998&#13;
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                <text>The idea to create a memorial honoring Henry Ford took root in 1948 when the Dearborn, Michigan Chamber of Commerce conducted a poll of Dearborn residents and learned that most of the populace favored such a proposal. The Dearborn Chamber of Commerce initiated a fundraising drive to finance a life-size full-length bronze of the auto magnate and commissioned Marshall Fredericks to design the sculpture.&#13;
&#13;
Fredericksâ€™ original model for the memorial consisted of a sixty-year-old Henry Ford standing with one hand on the shoulder of a teenage boy and the other hand pointing towards the future. Although approved by the Ford family, Fredericks never executed the design, as fundraising proved to be difficult, causing the project to be put on hold.&#13;
&#13;
In 1967, almost twenty years after the original proposal, the Inter-Service Club Council of Dearborn revived the project, calling upon residents of the city to raise funds for the monument through public subscription. Unfortunately many Dearborn residents thought that the teenage boy in the model was Edsel Ford, Henry Fordâ€™s son, and not a representation of Henry Ford in his youth, as the artist intended. Although a historically inaccurate assumption, the confusion persisted, causing the Henry Ford Statue Committee to scrap the original concept in favor of a new design.&#13;
&#13;
Located at the Henry Ford Centennial Library, the final memorial is a life-size bronze figure of Henry Ford in his familiar pose, standing with his hands in his pockets, situated at the center of a serpentine marble wall. At the memorialâ€™s unveiling in 1975, Fredericks remarked â€œThis pose, the thoughtful look, represents him in the best way. I like to see him thinking.â€ Intended to tell the story of Fordâ€™s life, bronze reliefs depicting his early childhood, adolescence and the growth of the Ford Empire accompany the central figure. The reverse side of the memorial features three engraved quotations attributed to this legendary innovator. &#13;
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Series V, Box 12 Folder 2&#13;
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="325306">
              <text>Black and white print</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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            <elementText elementTextId="325307">
              <text>8' x 10"</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Plasteline model for "Horse and Antique Trains" for "The Romance of Transportation"</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Animal sculpture--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
Relief (Art)&#13;
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="325298">
                <text>The 44-foot long relief mural was originally located at the Fort Street Union Depot in Detroit, Michigan.  All three reliefs have since been relocated to the B. &amp; O. Railroad Museum in Baltimore, Maryland.  &#13;
&#13;
When Fredericks first started designing this sculpture he thought of using many forms of transportation rather than just a large train.  The imagery relates to the notion of the iron horse, the name given to early trains.&#13;
</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 19 Folder 10&#13;
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="325301">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>V-19-10</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="325304">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="325305">
                <text>Royal Oak (Mich.)</text>
              </elementText>
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        <name>Animal</name>
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      <tag tagId="1758">
        <name>Animal Sculpture</name>
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        <name>Bas Relief</name>
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      <tag tagId="1581">
        <name>Horse</name>
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        <name>Horse and Antique Trains</name>
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      <tag tagId="1781">
        <name>Model</name>
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      <tag tagId="1786">
        <name>Plasteline</name>
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      <tag tagId="1787">
        <name>Plasteline Model</name>
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      <tag tagId="1205">
        <name>Relief</name>
      </tag>
      <tag tagId="227">
        <name>The Romance of Transportation</name>
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      <tag tagId="2166">
        <name>Train</name>
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      <tag tagId="1025">
        <name>V1910</name>
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