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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
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&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Fredericks, Marshall M., 1908-1998</text>
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The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance to the building, the sculpture depicts the cultural and religious spirit of the Detroit community. At the time, The Spirit of Detroit was said to be the largest sculpture cast in Europe since the Renaissance period (1400 â€“ 1600). It stands sixteen feet high and twenty-two feet across from fingertip to fingertip.&#13;
&#13;
On the Vermont marble wall behind the figure are the official seals of Wayne County, Michigan and the City of Detroit. Engraved on the wall is a verse from II Corinthians: â€Now the Lord is that Spirit, and where the Spirit of the Lord is, there is Liberty.â€ Designed to continue the thought indicated in the inscription on the wall, the sculpture is in the form of a kneeling man with outstretched arms. In his right hand he holds a father, mother and child representing family, which, according to Fredericks, is â€œprobably the noblest human relationship.â€ In his left hand, the figure bears a sphere with rays emanating from it signifying deity. Fredericks chose the sphere because it is an object complete in itself with no beginning and no end.&#13;
&#13;
This sculpture took Fredericks four years to complete and meant a great deal to the sculptor, who once remarked, â€œI pray only that this work in some small way inspire those who see it.â€ Fredericks appears to have gotten his wish as the citizens of Detroit immediately embraced this giant figure as the cityâ€™s cultural icon by giving it the affectionate nickname, â€œThe Jolly Green Giant.â€ The sculpture is also frequently dressed in local sporting teamsâ€™ jerseys during playoff action, and The Spirit of Detroitâ€™s image appears as the central element in the logos of the cityâ€™s departments and services.</text>
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
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&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Fredericks, Marshall M., 1908-1998</text>
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Fredericks designed this series for a national products competition in 1939 in hopes that they would be placed on a government building in Washington DC, but the building was never built. The series consisted of 12 reliefs. Three are located at the Marshall M. Fredericks Sculpture Museum: "Cotton Pickers," "Colt and Pigs," and "Steers". Later Marshall grouped these three with "Sheep (The Guests Have Arrived)" and "Chimpanzee (Philosopher").</text>
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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Sketch for Detroit Public Library proposal. Possibly unrealized.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Figure drawing.&#13;
Ford, Henry, 1863-1947.&#13;
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The idea to create a memorial honoring Henry Ford took root in 1948 when the Dearborn, Michigan Chamber of Commerce conducted a poll of Dearborn residents and learned that most of the populace favored such a proposal. The Dearborn Chamber of Commerce initiated a fundraising drive to finance a life-size full-length bronze of the auto magnate and commissioned Marshall Fredericks to design the sculpture.&#13;
&#13;
Fredericksâ€™ original model for the memorial consisted of a sixty-year-old Henry Ford standing with one hand on the shoulder of a teenage boy and the other hand pointing towards the future. Although approved by the Ford family, Fredericks never executed the design, as fundraising proved to be difficult, causing the project to be put on hold.&#13;
&#13;
In 1967, almost twenty years after the original proposal, the Inter-Service Club Council of Dearborn revived the project, calling upon residents of the city to raise funds for the monument through public subscription. Unfortunately many Dearborn residents thought that the teenage boy in the model was Edsel Ford, Henry Fordâ€™s son, and not a representation of Henry Ford in his youth, as the artist intended. Although a historically inaccurate assumption, the confusion persisted, causing the Henry Ford Statue Committee to scrap the original concept in favor of a new design.&#13;
&#13;
Located at the Henry Ford Centennial Library, the final memorial is a life-size bronze figure of Henry Ford in his familiar pose, standing with his hands in his pockets, situated at the center of a serpentine marble wall. At the memorialâ€™s unveiling in 1975, Fredericks remarked â€œThis pose, the thoughtful look, represents him in the best way. I like to see him thinking.â€ Intended to tell the story of Fordâ€™s life, bronze reliefs depicting his early childhood, adolescence and the growth of the Ford Empire accompany the central figure. The reverse side of the memorial features three engraved quotations attributed to this legendary innovator.</text>
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&#13;
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Series VIII, Cabinet 1 Drawer 8 Folder 1</text>
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
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&#13;
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&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Drawing, American--20th century.&#13;
Figure drawing.&#13;
Fredericks, Marshall M., 1908-1998</text>
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Sketch for Detroit Public Library proposal. Possibly unrealized.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Figure drawing.&#13;
Fredericks, Marshall M., 1908-1998</text>
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&#13;
The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance to the building, the sculpture depicts the cultural and religious spirit of the Detroit community. At the time, The Spirit of Detroit was said to be the largest sculpture cast in Europe since the Renaissance period (1400 â€“ 1600). It stands sixteen feet high and twenty-two feet across from fingertip to fingertip.&#13;
&#13;
On the Vermont marble wall behind the figure are the official seals of Wayne County, Michigan and the City of Detroit. Engraved on the wall is a verse from II Corinthians: â€Now the Lord is that Spirit, and where the Spirit of the Lord is, there is Liberty.â€ Designed to continue the thought indicated in the inscription on the wall, the sculpture is in the form of a kneeling man with outstretched arms. In his right hand he holds a father, mother and child representing family, which, according to Fredericks, is â€œprobably the noblest human relationship.â€ In his left hand, the figure bears a sphere with rays emanating from it signifying deity. Fredericks chose the sphere because it is an object complete in itself with no beginning and no end.&#13;
&#13;
This sculpture took Fredericks four years to complete and meant a great deal to the sculptor, who once remarked, â€œI pray only that this work in some small way inspire those who see it.â€ Fredericks appears to have gotten his wish as the citizens of Detroit immediately embraced this giant figure as the cityâ€™s cultural icon by giving it the affectionate nickname, â€œThe Jolly Green Giant.â€ The sculpture is also frequently dressed in local sporting teamsâ€™ jerseys during playoff action, and The Spirit of Detroitâ€™s image appears as the central element in the logos of the cityâ€™s departments and services.</text>
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Series VIII, Cabinet 2 Drawer 13 Folder 2</text>
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Fredericks, Marshall M., 1908-1998</text>
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Fredericks designed this series for a national products competition in 1939 in hopes that they would be placed on a government building in Washington DC, but the building was never built. The series consisted of 12 reliefs. Three are located at the Marshall M. Fredericks Sculpture Museum: "Cotton Pickers," "Colt and Pigs," and "Steers". Later Marshall grouped these three with "Sheep (The Guests Have Arrived)" and "Chimpanzee (Philosopher").&#13;
&#13;
Cast in bronze in 1955, "Sheep (The Guests Have Arrived)" depicts a flock of seven foreshortened sheep staring straight ahead at the viewer. Two smaller sheep, possibly lambs, are included in the bottom right hand corner. Fredericks incorporated a great deal of detail in each of the sheep, especially in their fluffy wool coats.</text>
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Series VIII, Cabinet 1 Drawer 1 Folder 1</text>
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&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
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Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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    <itemType itemTypeId="16">
      <name>Drawing</name>
      <description/>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="439407">
              <text>Graphite drawing</text>
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        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="439408">
              <text>12.5" x 5.25"</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="439396">
                <text>Sketch for "Colt and Pigs"</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="439397">
                <text>Drawing, American--20th century.&#13;
Fredericks, Marshall M., 1908-1998</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="439398">
                <text>Graphite on tracing paper&#13;
12.5" x 5.25"&#13;
&#13;
Fredericks designed this series for a national products competition in 1939 in hopes that they would be placed on a government building in Washington DC, but the building was never built. The series consisted of 12 reliefs. Three are located at the Marshall M. Fredericks Sculpture Museum: "Cotton Pickers," "Colt and Pigs," and "Steers". Later Marshall grouped these three with "Sheep (The Guests Have Arrived)" and "Chimpanzee (Philosopher").</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="439399">
                <text>Fredericks, Marshall M., 1908-1998</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="439400">
                <text>Marshall M. Fredericks Papers&#13;
Series VIII, Cabinet 1 Drawer 1 Folder 1</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="439401">
                <text>c. 1939</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="439402">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="439403">
                <text>VIII-01-01-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="439404">
                <text>image/jpeg</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
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              <elementText elementTextId="439405">
                <text>Graphite drawing</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="439406">
                <text>1998.001.VIII.005</text>
              </elementText>
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    <tagContainer>
      <tag tagId="1987">
        <name>Colt</name>
      </tag>
      <tag tagId="295">
        <name>Colt and Pigs</name>
      </tag>
      <tag tagId="2005">
        <name>Drawing</name>
      </tag>
      <tag tagId="2822">
        <name>Graphite</name>
      </tag>
      <tag tagId="2102">
        <name>Pig</name>
      </tag>
      <tag tagId="2818">
        <name>Tracing Paper</name>
      </tag>
      <tag tagId="1656">
        <name>VIII010101</name>
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