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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Bronze sculpture, American--20th century.&#13;
Limestone sculpture&#13;
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Fredericks, Suzanne P.	&#13;
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Shopping malls--United States.&#13;
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	&#13;
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
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&#13;
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&#13;
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Bronze sculpture, American--20th century.&#13;
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Public sculpture, American &#13;
Shopping malls--United States.&#13;
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	&#13;
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&#13;
Both animals possess humanized friendly facial expressions. The lion is reclining in a human-like position with crossed legs and his stylized round head and mane feature uniformly coiled ringlets. These artistic intentions make the â€œking of the jungleâ€ appealing to all.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Bronze sculpture, American--20th century.&#13;
Limestone sculpture&#13;
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Outdoor sculpture--United States. &#13;
Public sculpture, American &#13;
Shopping malls--United States.&#13;
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Bronze sculpture, American--20th century.&#13;
Limestone sculpture&#13;
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Public sculpture, American &#13;
Shopping malls--United States.&#13;
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	&#13;
The J. L. Hudson Company commissioned this sculpture for Eastland Center in Harper Woods, Michigan.  Like many of Fredericksâ€™ sculptures, he designed it specifically for children.  &#13;
&#13;
Both animals possess humanized friendly facial expressions. The lion is reclining in a human-like position with crossed legs and his stylized round head and mane feature uniformly coiled ringlets. These artistic intentions make the â€œking of the jungleâ€ appealing to all.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Marshall M. Fredericks Archives Collection</text>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>Gold anodized aluminum "Sculptured Clock" from Henry J. McMorran Auditorium</text>
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                <text>Aluminum sculpture--20th century&#13;
Clocks and watches in art &#13;
Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculpture--United States. &#13;
Public sculpture, American &#13;
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                <text>The Henry J. McMorran Auditorium in Port Huron, Michigan commissioned the Night and Day Fountain as well as a gold anodized aluminum Sculptured Clock for the building.  Completed two years before the fountainâ€™s installation, Fredericks conceived the sculptures and clock as a unified design concept. &#13;
&#13;
In keeping with a long tradition in western art, the sculptor personified time with figures representing night and day.  Night possesses long, smooth, graceful curves.  Night floats upon a swan in flight, holding a small bird in her hand.&#13;
&#13;
In comparison to Night, Day is more angular with more pronounced muscles and veins in his arms and hands.  Day rests upon an otter which is hunting in a school of Northern pike.&#13;
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                <text>Hartwick, Maurice C.</text>
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 16 Folder 5&#13;
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                <text>V-16-05</text>
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