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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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                <text>Fredericks family standing at dedication of "Birmingham War Memorial (Eagle and Nimbus) (Great Seal of the United States Relief)"</text>
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Fredericks, Rosalind Bell Cooke&#13;
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Series V, Box 3, Folder 7&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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Artists' studios--United States.&#13;
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Series V, Box 3, Folder 19&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Fredericks, Marshall M., 1908-1998 &#13;
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                <text>Fredericks working on â€œPeace Arising from the Flames of War,â€ central figure for the â€œCleveland War Memorial: Fountain of Eternal Lifeâ€ â€“ quarter scale plasteline model, 12 Â½ feet.&#13;
&#13;
Final selection for central figure, surrounded by small-scale plaster models of project pieces.&#13;
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Series V, Box 7 Folder 2&#13;
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The monumental central figure suggests a superhuman mythological being. Seated upon a ten-foot sphere, covered in a pattern of bright-star constellations, the figure holds two planets that he is sending off into space.  The dynamic spiral orbit-form swirling around the sphere represents the speed and perpetual motion of space.  Play of the water from numerous star-shaped sprays increases the feeling of movement. &#13;
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                <text>Fredericks' greenhouse studio filled with the plaster models for the "Clowns"</text>
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                <text>Artists' studios--United States.&#13;
Clowns in art&#13;
Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998 &#13;
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                <text>Plaster models for the â€œClownsâ€ - includes: "Acrobat", "Juggler" and "Lovesick Clown (Pagliacci)".</text>
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 8 Folder 25&#13;
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                <text>n.d.</text>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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                <text>V-08-25&#13;
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                <text>Bloomfield Hills (Mich.)</text>
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              <name>Title</name>
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                  <text>Marshall M. Fredericks Sculpture Museum Objects Collection</text>
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              <text>Main Exhibit Gallery</text>
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          <name>Notes</name>
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              <text>	Since the heavy plaster original of this towering composition might constitute a safety hazard, Fredericks created this cast from the original model in lightweight fiberglass in 1987.  Only the lower six feet of the supporting structure are part of the original plaster model for the World's Fair sculpture.&#13;
&#13;
&#13;
MF, Sculptor copy:&#13;
In Flushing, New York, on the grounds of the old site of the United Nations, a composition of two figures and two wild swans rising upward in free flight, was erected in the same year. Commissioned for the United States Pavilion at the World's Fair, Freedom of the Human Spirit, twenty-seven feet high, is a striking achievement of poetic movement-a goal Fredericks had pursued from his earliest works. &#13;
&#13;
	Molly Barth copy:&#13;
	Near The Saints and Sinners  is a full-scale fiberglass cast of The Freedom of the Human Spirit.  Freedom of the Human Spirit was originally made in bronze for the 1964 Worlds' Fair in Flushing Meadows, New York.  The three swans and two figures are very inspirational, very uplifting.  Fredericks has said, if he can just inspire and lift someone up, just one person, from the mundane things that we go through life, that is what he has always wanted to do through his sculpture.  There were a whole series of monumental sculptures, that were done for the Worlds' Fair, but only three were chosen to remain.  Just recently, the people of Birmingham, Michigan, Fredericks' home town, raised the money for a bronze cast of this sculpture to be put up in Shain Park, in downtown Birmingham.  It was dedicated in 1985, on a granite pedestal, a circular granite pedestal shaped like the marble one in the gallery.  The one-third scale model for this sculpture is also in the gallery.&#13;
&#13;
	From Archives: written by Melissa Ford:&#13;
Marshall Fredericks frequently used the figure of a swan in his sculptures. Many cultures feature swans in their mythology and folklore. Swans have come to symbolize fidelity and purity and are associated with music, poetry and divination. Fredericks often employed the swan as a symbol of resurrection and eternal life in his sculptures. Wings of the Morning, Freedom of the Human Spirit, and Indian and Wilds Swans as well as several other works feature swans.&#13;
	It seems that Fredericks' possessed a deep love and appreciation for these beautiful and graceful creatures. Besides sculpting swans, Fredericks played an integral role in a swan nesting project during the 1960s. As a civic gesture to his hometown of Birmingham, Michigan, Fredericks presented two pairs of swans to the city. The Australian Black and White Mute swans made their home in Quarton Lake located in the heart of the city. Unfortunately, several of the birds did not fare well in their new surroundings had to be replaced by the city of Birmingham.&#13;
	During the 1970s, in order to protect the swans and encourage nesting, the parks department constructed a bird sanctuary in the middle of the lake. This tiny floating island, constructed of several government surplus "life rafts", was approximately thirty-five feet in diameter and covered in a vegetative screen of wild grasses and rushes. Each winter, the swans would be removed from the lake and provided with shelter by the parks department until spring when they would return to the water.  The swans would then spend the rest of spring, summer and early fall on Quarton Lake being enjoyed by passing residents and visitors. &#13;
	As Fredericks' home in Birmingham overlooked Quarton Lake, it is quite plausible that one of these birds served as a real life inspiration for the swans often found in Marshall Fredericks' work. </text>
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                <text>Figure sculpture, American--20th century</text>
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                <text>Freedom of the Human Spirit, 1964	&#13;
Plaster and fiberglass&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1991.031&#13;
&#13;
The Freedom of the Human Spirit was originally sculpted for the  1964 World's Fair in New York City.  It stood in the Court of  States area of the fair.&#13;
Fredericks is quoted explaining the Freedom of the Human Spirit:&#13;
&#13;
"I tried to take the male and female figures and free them from  the earth. The only reason they stand up in the space at all is  because they are suspended by sort of semi-visible abstract forms that keep them in the air, and then there are three giant wind  swans flying with them. The idea was that these human beings,  these people-us, do not have to be limited to the earth, to the  ground. We can free ourselves mentally and spiritually whenever  we want to, if we just try to do so."&#13;
&#13;
This sculpture was moved in 1996 to the main entrance of the  Arthur Ashe US Tennis Center in New York City.</text>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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                <text>&lt;a href="https://www.flickr.com/photos/marshallfredericks/6350270229/in/set-72157628015891879"&gt;Freedom of the Human Spirit, Shain Park, Birmingham, MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.flickr.com/photos/marshallfredericks/6350299683/in/set-72157628015891879"&gt;Freedom of the Human Spirit, Corona Park, Flushing Meadow, NY&lt;/a&gt;</text>
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