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While I was doing the inventory at the studio Molly told me that the sculpture titled Meditation from 1937 was a study for the Four Animal Kingdoms.  It is a female figure in the same position but she is not holding anything in her lap."</text>
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&#13;
&#13;
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&#13;
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&#13;
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&#13;
&#13;
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&#13;
In a videotaped interview in 1987, Fredericks stated:&#13;
&#13;
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1958 By the National Exchange Club&#13;
&#13;
&#13;
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&#13;
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&#13;
	&#13;
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The atom is the symbol of one of mankind's most dramatic achievements.  It symbolizes the awesome challenge of the Atomic Age.  In this sculpture the heroic male figure holds the model atom above his head as if in veneration.  His body is smooth and idealized.  The strong upward movement gives it an optimistic air.  It suggests faith that the atom will be used properly in the hands of man.  The sculpture was originally designed to rise out of the center of a fountain.  There is a miniature version of this sculpture which was used as an award by the National Exchange Club of Toledo, Ohio.&#13;
___________________________________</text>
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Originally installed in 1959, is conserved and rededicated at the National Exchange Club in Toledo, Ohio.&#13;
Bellman, Gillette and Richards, architects.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
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&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>Animal sculpture--20th century&#13;
Figure sculpture, American--20th century</text>
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                <text>Wood Full-Scale armature for Black Elk&#13;
Sections:&#13;
1 Front section with head and front legs of buffalo&#13;
2 Hump and shoulder section&#13;
3 lower body of Black Elk and the mid section of the buffalo&#13;
4 hind quarters and rear section&#13;
5 midsection of Black Elk just before the head&#13;
6 head of buffalo section&#13;
7 head of buffalo section&#13;
8 Middle section for Black Elk full-scale armature&#13;
9 Peace pipe for full-scale Black Elk. Plaster around metal pipe.</text>
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            <name>Creator</name>
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                <text>Fredericks, Marshall M., 1908-1998</text>
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                <text>1998</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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                <text>University Center (Mich.)</text>
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              <text>15.75" h</text>
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              <text>Main Exhibit Gallery</text>
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              <text>05/26/1994 gifted to MFSM</text>
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Figure sculpture, American--20th century</text>
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                <text>Black Elk: Homage to the Great Spirit&#13;
1980&#13;
Bronze&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1994.050&#13;
&#13;
&#13;
&#13;
&#13;
Black Elk (1863-1950) was a holy man of the Ogallala Sioux and a spiritual leader for all North American Indians. Black Elk Speaks, an account of his life and of the Ogallala Sioux has become like a Bible for all North American Indians of the twentieth century. This sculpture is a sketch model for a proposed fifteen-foot high monument to be placed in the foothills of Nebraska. Black Elk grasps the sacred pipe which was given to his ancestors to insure that they would multiply and be a good nation. He points it upward and gazes skyward as he gives a prayer of thanks to the Great Spirit for the buffalo. The Sioux are profoundly dependent on the buffalo and the hunt. The physical closeness of Black Elk with the buffalo at his feet suggests the spiritual closeness the Sioux feel with the buffalo.</text>
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            <name>Creator</name>
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            <name>Date</name>
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                <text>1980</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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                <text>University Center (Mich.)</text>
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        <name>Sculpture</name>
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