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Items tagged "V2219": 5

"Torso of a Dancer" - front view

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude female form is a subject that has entranced artists since the dawn of time. Fredericks' treatment…

"Torso of a Dancer"

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude female form is a subject that has entranced artists since the dawn of time. Fredericks' treatment…

Rear view of "Torso of a Dancer"

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude female form is a subject that has entranced artists since the dawn of time. Fredericks' treatment…

Close-up rear view of "Torso of a Dancer"

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude female form is a subject that has entranced artists since the dawn of time. Fredericks' treatment…

Front view of "Torso of a Dancer"

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude female form is a subject that has entranced artists since the dawn of time. Fredericks' treatment…