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Items tagged "V1544": 13

Marshall Fredericks with the full-scale plasteline model for "Lord Byron" (The Poet) - 1998

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Close-up of Marshall Fredericks working on the plasteline model for "Lord Byron" (The Poet)

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Marshall Fredericks working on the full-scale plasteline model for "Lord Byron" (The Poet) in the studio

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Marshall Fredericks with the full-scale plasteline model for "Lord Byron" (The Poet) in his studio

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Marshall Fredericks with the full-scale plasteline model of "Lord Byron" (The Poet) in his Royal Oak studio

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Marshall Fredericks poses with the full-scale plasteline model of "Lord Byron" (The Poet)

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

The full-scale plasteline model for "Lord Byron" (The Poet) with bronze "Flying Wild Geese" in the foreground

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Marshall Fredericks with the plasteline model for "Lord Byron" (The Poet) divided in half

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Lower half of the plasteline model for "Lord Byron" (The Poet)

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…

Front view of the full-scale plasteline model of "Lord Byron" (The Poet) in the studio with "Flying Wild Geese" in the foreground

According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This…